Stage Plot Pro Free Full
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No free ones here, but Stage Plot Pro seems to be the most regarded, most full-featured, and with the fanciest and broadest selection of elements: They have a graphic for everything you can think of, though many consider it 3D depictions of everything to totally overkill and unnecessary detail (looks damn nice though Cost is $39.99, but comes with a 30-day free trial.
What is a Stage Plot? A Stage Plot (or technical rider) is a document that details exactly what your band needs to make a show fantastic. It details the equipment and instruments of every band member, the input you will need from the venues that you're playing and how you want your stage to look and sound.
What Can You Include on a Tech Rider? If you're a small band and you don't have much equipment or instruments with you, your Stage Plot will most likely mainly cover the gear that you're using onstage. As your band grows, your Tech Rider will start to include any FOH consoles that you bring with you, the lighting rigs you're touring with and any pyrotechnics that you have onstage. A Stage Plot is constantly updated as you continue touring and continue growing as a band.
How Do You Create a Stage Plot? You can search for bands who have a similar sound to yours, as they will more than likely have a similar Tech Rider to the one that you'll need. When you don't have a good idea of what you need to include on your Tech Rider, then make a list of the equipment you have for your band and the make and model that this equipment is. When you've done this, you can use an online Stage Plot generator to create your full Tech Rider online.
Use our stage plan builder for musicians to create the exact stage plot for your gig. After that all you need to do is send the provided URL (or PDF with paid services) to the engineer of the venue. You can enter your instruments, monitors, DI boxes etc, scale and rotate and provide full details of what you want.
Use our stage plan builder for venues and managers to share plots with artists who either perform at your venue or who work with you. After you share the plot, the artist can then create their stage plot by adding musicians and equipment to the plan.
For any one who has a stage that artists perform on, using our pro services means you can create your stage (including stage dimensions and equipment like monitors, drum risers etc) and share it with artists who can add their equipment to your stage.
An input list is essentially a list of inputs and the corresponding channels in the snake or console that they are patched into. The most basic contain the snake channel, input and possibly a microphone or DI preference. More advanced input lists can include sub snake channels, color coding, location of the input on stage, mic stand preference, and any other relevant info.
Stage plots are not often used in small productions where for example, you have someone speaking from the stage giving a lecture and using a single monitor or a theatrical production that only requires a few vocal microphones.
Like the input list, the stage plot can be as basic or detailed as needed. The most basic show the position of musicians and monitor mixes on stage. More advanced stage plots can also show things like drum riser dimensions, distances between musicians, AC power drops, and any other pertinent info.
If you are the sound engineer at a venue working with different acts all the time, you will likely draw up an input list and stage plot when the band arrives and you find out what you are dealing with.
The input list and stage plot are two important documents that should be part of every gig. Both serve as a map, the input list is a guide for patching the snake and console and the stage plot is a guide for patching the stage. They are also very helpful in troubleshooting.
StagePlotPro is a program designed to create professional stage plots for stage managers and sound engineers. The text you enter into the Input List Window will be written to the section beneath the stage. In the preferences window, you may specify whether you want to group 8 lines of text per block, 10 lines, or use up to 3 columns of text per block.
In the world of live audio, no documents are as ordinary as input lists and stage plots. Every day across the world, artists, management, and production technicians create, share, and employ these seemingly simple documents to prepare for concerts and other live events.
Unfortunately, as commonplace as input lists and stage plots are, they are regularly lacking crucial content, are filled with misinformation, or are difficult to decipher. As a college educator who instructs young sound engineers, I do my best to communicate best practices. What follows is my current list of suggestions on how to fashion the all-important input list and stage plot.
Regardless of the chosen document-dating approach, contact information must be provided on all stage plots and input lists. The inclusion of the name, email, and phone number for the front of house engineer, production manager, or other artist representative is a necessity for helping local technicians answer questions and avoid assumptions.
Your stage plot should be as specific as possible. You don't necessarily need to include your water bottle on it, but the more details you can provide, the better. Does the drum set need to be stage right instead of behind the band? Does your keyboard player only set up facing a certain direction? Make sure your stage plot includes that. The locations of vocal mics, amplifiers, preferred monitor locations, and where you need outlets should all be clearly indicated and labeled.
The stage plot can also be a good place to have notes about some general monitor mixes, what certain members want in their mixes, or if they don't need certain elements in a mix at all. If the singer gets crippling stage fright because there's no reverb/delay in his or her monitor, within these notes would be the place to make that clear. For all you drummers out there, letting your sound tech know how many pieces are in your kit is also great info to have ahead of time to plan accordingly and can save headaches the day of the show. It's also helpful to know if your amp has a direct out or if you need a DI box placed somewhere.
The band name and contact info for this stage plot have been removed (which you should always include, especially the name and contact info of the most tech-savvy band member), but this is a great example of a clean and clear stage plot. The preferred location of DIs, power, monitors, amplifiers, band members, and vocal mics is obvious, and there's not too much extraneous information on the plot itself. Below, as mentioned earlier, are some general monitor mix notes so that your tech can establish a baseline mix to speed up your soundcheck, and you can spend more time dialing in a great sound rather than simply getting your levels balanced.
As far as making a stage plot goes, it doesn't need to be incredibly artistic. In fact, in most cases, the simpler the better. If your stage plot involves a full-color key and is best viewed on a 14"x18" piece of paper, you've probably gone too far. Basic knowledge in most word processing programs can yield you a very functional stage plot. Something as simple and plain as this works great:
Also, keep in mind that your sound tech knows the venue best. If it's a 100-person venue and the sound tech tells you that you don't need the 12 channels of drum mics specified on your input list and suggests going with a four or five microphone setup, it's almost always best to defer to his or her judgment. The same goes for outboard gear and specific mic requests. Unless you travel with your own microphones or rack of outboard processing and the appropriate cables, you may not always be able to have your designated preferences. If you do travel with these things, you should definitely include that on your stage plot or input list.
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An input list is a document that often accompanies a stage plot. It is a list of all of the equipment and the connections needed for that equipment so that the engineers at a live event can make sure they have the correct number of DI boxes and channels available on the PA to make sure that everything is covered.
Some bands like to create bespoke plots using tools like Photoshop or Powerpoint which can be a really good option. There is also some really great stage plot design software online that give really cool professional results.
Tensions mount between Jonathan Reeves (Peter Gallagher), the company's aging choreographer and director, and Cooper Nielson (Ethan Stiefel), his best dancer, who also wants to choreograph. They also have issues because Kathleen Donahue (Julie Kent), Cooper's ex-girlfriend and fellow dancer, left him to wed Jonathan. Star student Maureen (Susan May Pratt), a closet bulimic who seems poised for success, discovers that life is passing her by when she meets a pre-med student (Eion Bailey) who shows her the merits of a life without ballet, to the dismay of her controlling stage mother (Debra Monk), herself a failed ballet dancer and current ABC employee. Sweet Jody Sawyer (Amanda Schull), despite underdeveloped turn out, body type issues, and poor footwork, is determined to dance professionally, but it appears less and less likely as the movie progresses that she will be good enough. Jody's parents, Jonathan, Maureen, and ballet teacher Juliette Simone (Donna Murphy) try to convince Jody to move on from dance and attend college. Jody refuses to give up on her dream of being in a professional ballet company. Talented, but smart aleck Eva Rodriguez (Zoe Saldana; doubled by SAB alumna and former NYCB member Aesha Ash) from Boston loves to dance but seems destined to be stuck in the back of the corps because of her bad attitude. Tensions also arise between Charlie (Sascha Radetsky), a naturally gifted fellow advanced student from Seattle, and Cooper over Jody; Charlie has a crush on Jody, who had a one-night stand with Cooper and remains infatuated with him. 2b1af7f3a8